But with the 60, you can actually make an 808 or 909 sound better (well, different) - hardening it, fattening the low end, crunching up the midrange and creating a hard hitting sequence with an amazing shuffle. And while the debate over the best MPC continues, the 60 is undoubtedly the best sounding, with its instantly recognizable and classic color it imparts on everything that passes through it. Usually when you sample something (an analog drum machine, for instance) the samples are less desirable than the drum machine itself. Quite simply, what you put into it comes out sounding better. And despite looking like a cash register and having a resolution of only 12bits, this sampler still sounds better than any modern equivalent boasting higher specs. Designed by Roger Linn in 1988, the MPC60 is one of the best sounding samplers of all time and, (along with the SP1200), has shaped the sound of classic 90s hip hop, R&B and house music with its unmistakeable grit, warmth and punch.
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